Cultural Context Curriculum in Music Programs and General Settings
In conversations with colleagues across disciplines, it became clear that the work I've been doing with this curriculum framework in my chorus classes could be beneficial to other domains. This was my first attempt at finding ways the curriculum could be applied to different subjects.
Presented at:
Access through the Arts: A case for arts integration & programming in our schools
Access Through the Arts by Julia Edwards
This presentation seeks to introduce the audience to a variety of frameworks that are not arts-based but allow room for the arts in their implementation.
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Intent vs. Impact: Programming and Teaching Multicultural MusicExplore my Cultural Context curriculum with me and see why I teach it, how it works with my students, and take away loads of resources for your own programming and teaching. This curriculum has had a major impact on how my students interact with their music and the world around them, and represents the bulk of work I have done in research and curriculum development. The presentation has been refined over the course of three years and I keep adding resources as new information becomes available.
Presented at:
Time Well Spent!
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Neuroscience-based mindfulness
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NHMEA Neuroscience-based Mindfulness by Julia Edwards
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Neuroscience-based Mindfulness by Julia Edwards
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After the height of pandemic and lockdowns, teachers all over the world have put more emphasis on the importance of Social-Emotional Learning. After having implemented intentionally scheduled mindfulness warm-ups in my classes, I witnessed the immensely beneficial effects of the activities on my students' focus during class and their reports of using these new tools to self-regulate outside of class.
Presented at:
Presented at:
- 2025 RSU 16 District Professional Learning Conference
- 2026 NHMEA Spring Conference
Building Relationships: Parts 1 & 2
As part of the Music Education Symposium day at UMaine, I was asked to present on how I build and maintain relationships in my music program. I broke it into two parts: the foundation of building these relationships, and how I build them in terms of recruitment, advocacy, and community.
Presented at:
Presented at:
- UMaine Music Education Symposium (2026)
All In!: Accessibility, Equity, and Engagement in the Music Program
All In! Accessibility, Equity, and Engagement in the Music Program by Julia Edwards
The Maine Adaptive Music Summit seeks to bring together music teachers of all levels and special education professionals to build upon resources, share strategies, and celebrate the powerful relationship between the arts and meaningful interventions. In this presentation, I share some of the strategies and frameworks I use in my classroom and give an overview of some special experiences that taught me how to better serve my students' needs.
Presented at:
Presented at:
- 2026 Maine Adaptive Music Summit
What do I put in my gradebook?
rubric design and assessment strategies for the music classroom
When I began teaching music, I felt pretty lost in the pursuit to accurately, fairly, and practically assess my students and their progress. Given the subjective nature of music, it is easy to run into traps while grading our students. Thanks to a brilliant administration, excellent colleagues, and helpful resources, I've developed and gathered some practices that seem to keep a good balance with my students. I share those practices in this presentation, while exploring other options that are successful among my music education colleagues.
Presented at:
Presented at:
- 2020 Maine Music Educators Association's All State Conference
Research Projects
coming soon!